In this clip, the audience is intended to sympathize with Colin who is being tracked by the camera in the first few seonds of the clip. The lighting is all natural in the clip, allowing for a sense of forboding as the sunlight trickles through the canopy of the forest. The fast paced music during the opening chase adds to the sense of emergency and when it stops, the only sound is diagetic. This allows the audience to hear everything that is happening, including Colin pleading against his captors.
Throghout the series of spooks the director focuses closely on close ups and reaction shots during dialogue scenes; the only time all three characters are shown together are during long shots and panoramas. This allows the two sides in the struggle to be easily distinguishable from one another.
Wednesday, September 9, 2009
Tuesday, September 8, 2009
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